The sound came out like a girl saying yes." Condon wrote about hearing Bix's cornet for the first time: "Beiderbecke took out a silver cornet. Eddie was one of the musicians who had played with Bix. He quipped about the boppers, "They flat their fifths, we drink ours!" When his music was criticized by French jazz writer Hughes Panassié, he shot back, "We don't tell him how to jump on a grape!"īut when he talked about Bix Beiderbecke, it was different. 10 October 2022.Eddie Condon was a clever man. "Beiderbecke, Bix." Discography of American Historical Recordings. In Discography of American Historical Recordings. "Beiderbecke, Bix," accessed October 10, 2022. Orchestra, with male vocal solo and recitationīix Beiderbecke Paul Whiteman Orchestraĭiscography of American Historical Recordings, s.v. Jazz/dance band, with male vocal solo and chorus There ain't no sweet man that's worth the salt of my tears Hoagy Carmichael Paul Whiteman Concert Orchestra Recordings (Results 26-50 of 128 records) Company = Recordings were issued from this master. = Recordings are available for online listening. Roles Represented in DAHR: cornet, leader, composer, piano He composed or played on recordings that are jazz classics and standards such as "Davenport Blues", "In a Mist", "Copenhagen", "Riverboat Shuffle", "Singin' the Blues", and "Georgia on My Mind".īirth and Death Data: Born Ma(Davenport), Died Aug(Long Island)ĭate Range of DAHR Recordings: 1924 - 1939 Beiderbecke remains the subject of scholarly controversy regarding his full name, the cause of his death and the importance of his contributions to jazz. His life has often been portrayed as that of a jazz musician who had to compromise his art for the sake of commercialism. In magazine articles, musicians' memoirs, novels, and Hollywood films, Beiderbecke has been envisaged as a Romantic hero, the "Young Man with a Horn" (a novel, later made into a movie starring Kirk Douglas, Lauren Bacall, Doris Day, and Hoagy Carmichael). His death, in turn, gave rise to one of the original legends of jazz. He left the Whiteman band in 1929 and in the summer of 1931 he died in his Sunnyside, Queens, New York apartment at the age of 28. Treatment for alcoholism in rehabilitation centers, with the support of Whiteman and the Beiderbecke family, failed to stop his decline. The Whiteman period marked a precipitous decline in his health due to his increasing use of alcohol. The Goldkette band folded in September 1927 and, after briefly joining bass saxophone player Adrian Rollini's band in New York, Trumbauer and Beiderbecke joined America's most popular dance band: Paul Whiteman and his Orchestra.īeiderbecke's most influential recordings date from his time with Goldkette and Whiteman, although he also recorded under his own name and that of Trumbauer's. The band toured widely and famously played a set opposite Fletcher Henderson at the Roseland Ballroom in New York City in October 1926. Beiderbecke and Trumbauer joined Goldkette's main band at the Graystone Ballroom in Detroit in 1926. Louis, also under the auspices of Goldkette's organisation. He first recorded with Midwestern jazz ensemble The Wolverines in 1924, after which he played briefly for the Detroit-based Jean Goldkette Orchestra before joining Frankie "Tram" Trumbauer for an extended engagement at the Arcadia Ballroom in St. All five of his piano compositions were published by Robbins Music during his lifetime.Ī native of Davenport, Iowa, Beiderbecke taught himself to play the cornet largely by ear, leading him to adopt a non-standard fingering technique that informed his unique style. His piano style reflects both jazz and classical (mainly impressionist) influences. "In a Mist" (1927) is the best known of Beiderbecke's published piano compositions, and the only one that he recorded. Moreover, his use of extended chords and an ability to improvise freely along harmonic as well as melodic lines are echoed in post-WWII developments in jazz. His solos on seminal recordings such as "Singin' the Blues" and "I'm Coming, Virginia" (both 1927) demonstrate a gift for extended improvisation that heralded the jazz ballad style, in which jazz solos are an integral part of the composition. Leon Bismark " Bix" Beiderbecke (Ma– August 6, 1931) was an American jazz cornetist, pianist, and composer.īeiderbecke was one of the most influential jazz soloists of the 1920s, a cornet player noted for an inventive lyrical approach and purity of tone.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |